The saxophonist, rapper and composer Soweto Kinch revisits the trilogy of works he has created with the LSO since 2019
The saxophonist, rapper and composer Soweto Kinch revisits the trilogy of works he has created with the LSO since 2019, with music from The Black Peril, White Juju and Soundtrack to the Apocalypse.
Each work was inspired by a panoply of events, from commemorating the race riots of 1919 to the intensely fought culture wars in 2020 and lockdown, and the emergence of an apocalyptic, post-truth world. Covering the past, present and future they break beyond the boundaries of genre to explore these resonant themes. The layered storytelling, lyricism and musicality deliberately upends conventions – its often challenging messages are even more salient today.
In Soweto’s words, ‘I’ve been on an intense journey, playing with and subverting tropes, gaining confidence in my own compositional voice but also discovering new approaches to storytelling with each commission.’ The results are this mix of cerebral and guttural, danceable creations – multi-platform works which should ‘assail the senses, but enrich the soul’.
line-up
Tom Richards conductor
Soweto Kinch saxophone, vocals, aerophone, drum machine
Rick Simpson piano/keyboard, rhodes piano, sampler
Josh Vadiveloo rhythm bass
Louis Hamilton-Foad kit, drum machine, sampler
London Symphony Orchestra
music
Soweto Kinch Music from ‘The Black Peril’, ‘White Juju’ and ‘Soundtrack to the Apocalypse’:
One Destiny
Riot Music
Revival Time
Savages
Syncomania
Dawn
March of the Unicorns
Alms
Curated Chaos
The Old Normal
The End of the World
Kalimba
Metronomes
Core Sicker
Apocalypse Coda
World Peace
Grand Finale
