A visionary new ballet by Wayne McGregor and Max Richter
Margaret Atwood’s dystopian epic of annihilation and survival is transformed into a visionary new ballet by Wayne McGregor.
This visually stunning three-act ballet with a new score from Max Richter reunites creative collaborators from McGregor’s landmark 2015 ballet Woolf Works in a new work for our times.
Margaret Atwood’s exuberant imagination and disruptive wit in combination with her feminist and environmentalist perspective have assured her reputation over the last half a century as one of our greatest living writers. Known for her depiction of dystopian speculative futures in which, famously, nothing is invented that is not already taking place somewhere in the world, Atwood holds a mirror up to life, warning us of where we are headed and asking, ‘Who’s got the will to stop us?’
Wayne McGregor brings Atwood’s monumental trilogy of novels (Oryx and Crake, The Year of the Flood and MaddAddam) to the stage. Themes of extinction and invention, hubris and humanity, love and loss, are spliced together with aspects of Atwood’s non-fiction writings and activist voice in this exhilarating exploration of life beyond societal collapse.
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This short, comedic opera is set and performed in an office.
Join Electric Voice Theatre at Conway Hall for a special 20th Bloomsbury Festival singing celebration of Crystallographer Dame Kathleen Lonsdale (1903–1971) – the first female professor at UCL and the first female Fellow of the Royal Society.
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Founded to champion gender equity within classical and contemporary music, EMPOWER creates opportunities for women composers and performers while engaging audiences with diverse and underrepresented repertoire.
Contemporary music magazine PRXLUDES presents a night of music, conversations, and gatherings, celebrating today's most cutting-edge composers.
- Tagged London